It’s a couple of weeks late, but what the hell: if it’s nostalgia it ought to be late. This is the bit I was working on this morning…
He thought about Christmas movies and the Portals embedded in them. Was it the bridge that Jimmy Stewart jumped off, or was it the icy river he landed in, that transported him into an alternative present in which he did not exist? Was Rosebud the Portal, or the castle in which it was enshrined, or the fire that consumed it? He wondered if there was anything Portalic in those old Bing Crosby holiday musicals. Bingo and Danny Kaye, both self-consciously ridiculous as frilly drag sisters, lisping their way through that corny Irving Berlin number. Bing and Danny marching in full uniform with the rest of the boys across that Vermont ski mountain, reassuring a beleaguered but ramrod-straight Dean Jagger that even a retired Army hero occupied a very special place in the post-War nostalgia. Bing seated at the piano in the chalet singing White Christmas to an enraptured Rosemary Clooney. Yes, of course that was it: that was the Portal.
Ulrich remembered reading somewhere that in real life Bing Crosby had been rather a cold-hearted bastard. This spiteful allegation had endeared the Crooner to Ulrich in a way that the smooth, schmaltzy screen persona never had. Bing wasn’t simply being himself up there: he was an artist who had created an alternate version of himself so consistent and compelling that the public bought it. Ulrich wondered whether the on-screen Bing wasn’t more real than the brooding and insular workaholic who sat chain-smoking in his trailer between takes. A mean SOB singing a Jew’s Christmas song to a lush: this combination, this synergy, had opened a Portal so pure and powerful that it still worked more than half a century later. Ulrich hoped that maybe it would be in this place, at this time, with this cast of characters – two asleep on the couch, one standing in the darkened kitchen gazing into the outer darkness – that something improbable would open up and pull them through. “Or maybe,” he considered, “it will happen when I walk back into the living room.” He did; it didn’t. Ten minutes later: “maybe if I go to my Lab.”
Ulrich wondered if the Portal would offer a nostalgic sort of passage, like White Christmas. He thought his wife would like that. Many of the basement boxes contained talismans for invoking their past lives, preserved and packed away in bubble paper. There were probably a dozen boxes of Christmas ornaments down there, most of them remnants from her childhood. His, too – when his parents had sold the old house he had picked through the stuff they weren’t going to take with them down to Florida. A video of “White Christmas” was on one of the basement shelves, he realized – his wife had recorded it off the television many years ago. She would be sad if the basement wouldn’t fit through the Portal.
Ulrich remembered their first Christmas in this house. It was before their daughter was born, and his wife’s family had flown in for a visit. She was so nervous serving Christmas dinner that she broke down in tears when she dropped a Brussels sprout on the carpet. Later her little brother got sick and vomited all over the room they had put him up in, which also happened to be Ulrich’s office. That tonight of all nights he should be barraged by nostalgic memories Ulrich regarded as indicative of something, but he wasn’t sure what.
Ulrich O’Connor found himself remembering many things as he stared unseeing from his Laboratory window into the expectant night. The exact moment he had quit his last job. The day before his mother died. The shocked look on his newborn daughter’s face as she confronted the world for the first time. Proposing. The last cigarette he had ever smoked. The first cigarette. Getting kicked out of his own junior high school graduation. His only Little League home run. The get-well cards his classmates sent him when he had the chicken pox. The time his best friend hit him over the head with a toy fire truck – the very first entry in Ulrich’s sparsely-populated memory. He wondered if he might be dying.
And then he remembered, or seemed to remember, something else, something even before the fire truck. He would be all alone on a small island, watching the small waves as they timidly crept out of the surrounding sea and up onto the sand. Either that, or else he was in the middle of a vast and empty parking lot. There would be a pulsating sensation and a whooshing noise, and he would feel enclosed inside an enormous emptiness. As a young child he had experienced this hallucination many times; never before had he realized that the hallucination itself must have been a kind of memory. “I believe,” Ulrich thought then, “that it is everyone’s first memory.”

“She would be sad if the basement wouldn’t fit through the Portal.”
That’s great. You don’t see it coming, and something ‘still won’t fit’ if you re-read the preceding, but you get this weird image triggered that’s of the ‘Portal’ somehow being the upstairs area of the house, which is why it’s so funny (to me, that is. I find your last paragraph very funny too, the “I believe that it is everyone’s first memory”. ) As for Portals in Xmas movies, no, haven’t ever felt them like that, nor the original hallucination either.
Maybe I DID enter the Portal of White Christmas (the Movie) somewhat, with your description of song as ‘by a Jew’. It made me remember Maureen Dowd’s Op-Ed about Mel Brooks’s ‘Passion of the Christ’ from 2004, and I found the exact quote, which I remember enjoying immensely: I went with a Jewish pal, who tried to stay sanguine. “The Jews may have killed Jesus,” he said. “But they also gave us `Easter Parade.’ ”
Comment by illegal dances of new york city — 8 January 2012 @ 2:05 pm
Oh my God, and it’s the SAME Jew got the Christian holidays sewn up. I noticed when in LA, where the Xmas music piped softly over the pool and garden were very pleasant, that I had thought all the ‘popular-style Xmas songs’ were written back in the 40s and 50s and never any more of them, but there was ‘We Need a Little Christmas’ by Jerry Herman, from his show ‘Mame’, and, as these songs go, it’s very good. I am always interested that you hear ‘Have Yourself…’ at least twice as much as any other tune–every year it’s that way. But even the Herman song is 1966.
Comment by illegal dances of new york city — 8 January 2012 @ 2:30 pm
The original hallucination seems amniotic but it’s juxtaposed with the decidedly postnatal suburban alienation of the empty parking lot. I wouldn’t say I was going for laughs in that last paragraph, but I’m glad it tickled you. Most of the songs in White Christmas are pretty lame, with even the title song being lifted from the earlier movie Holiday Inn. The story is incredibly corny as well. Even Ulrich’s memory of the portalic moment, with Bing singing White Christmas to Rosemary Clooney around a fireplace, isn’t accurate. Bing sings a different song to her there — Count Your Blessings — but it’s the closest that Bing and Rosemary get to a romantic moment in the whole show. I see that Bing’ version of the song White Christmas is the biggest-selling single of all time.
Comment by ktismatics — 8 January 2012 @ 2:35 pm
I see that Have Yourself was written for another Judy Garland movie, Meet Me in St. Louis. Songwriting team Blane and Martin: not Jewish, were they? Martin, from Birmingham AL, died last year at age 96.
Comment by ktismatics — 8 January 2012 @ 2:44 pm
Speaking of Judy Garland, you mention getting “this weird image triggered that’s of the ‘Portal’ somehow being the upstairs area of the house.” That’s what happens in the Wizard of Oz: the storm cellar stays behind while the rest of the house goes through the Portal, landing on the Wicked Witch. There’s reference to this movie a few pages prior to the White Christmas, while Ulrich is down in the basement looking at the old DVDs…
Where was that other girl’s family while she was being lifted into the ominous clouds that had gathered above her Kansas farmhouse? Huddled in the cellar like sensible cowards. Still, the important people in her life already had doubles occupying the enchanted land to which she was transported. Why was it that only she remained the same as she had been? Because she didn’t belong in the enchanted land: that’s why she was so powerful there, and also why she felt so alienated there. The wicked witch’s blood-red slippers would carry the girl home, if she wished it so. She did wish it, with all her heart. “Maybe,” Ulrich thought, “I should tell her to wait down here until it’s over.” He remembered the tiny pair of sparkling red shoes his daughter loved so when she was small. Maybe, in a crisis of this magnitude, they would magically stretch themselves to protect her.
Comment by ktismatics — 8 January 2012 @ 4:31 pm
Oh yes, Hugh ‘Mah-tin’, legendary B’way and Hollywood musician, Buster Davis used to talk about his arrangements. The Garland version in the movie is perfect, if you see it it always sounds newborn, but I don’t want to see it, even though it’s well-crafted. She’s an American original, but not one I think of very often anymore–best film was ‘Girl Crazy’, and that one I will take out from time to time, because there is a fabulously razzle-dazzle ‘I Got Rhythm’ number she does in it, that outclasses everything she’s done in any other films–plus the rest of the Gershwin score is still better than almost anybody else’s. I just read he was her accompanist, and ‘The trolley Song’ is one of her big hits, as well as ‘The Boy Next Door’. Once I did an audition with crazy Noel, who was trying to get a part as a transsexual, so sang this and ‘I Can Cook Too’ from Bernstein’s ‘On the Town’. He was very good that day, and worked on a thing with his mouth–nope, wasn’t that one, he sang ‘Mad About the Boy’, a very clever Noel Coward song.
My image was much madder, I didn’t see the upstairs part of the house being boosted up by the ascent of the basement, but rather the basement forcing its way into the living room, etc., upstairs, and causing all sorts of dirt and damage. I’m not meaning to be rude, I just thought of the whole basement all of a sudden, instead of the Xmas ornaments and the videocassette–all of a sudden ‘basement’ seemed much more material and dominant than these small items.
Comment by illegal dances of new york city — 8 January 2012 @ 4:54 pm
Not rude at all. I like your mad image, and I might make modified suggestive use of it here. The small items in the basement serve as memory prompts for Ulrich, especially these old movies that are also repositories for some of our cultural memories. For the basement to force its way up into the living room would be a big-time return of the repressed, surging up from the individual and collective subconscious. I can’t think of a movie that does this, can you? The nearest parallel I can think of comes from the recent Korean movie Old Boy, where a prisoner breaks through the back wall of his cell effectively transforming the whole world into a prison.
Comment by ktismatics — 8 January 2012 @ 6:24 pm
I like this. It builds very nicely towards a revelation but of what. It’s intriguing and the nostalgia of Xmas Past is a perennial. Clark Griswold in the attic. I don’t mind a story that leaves me with a question. Maybe they’re the best sort.
Comment by ombhurbhuva — 9 January 2012 @ 11:09 pm
Thanks. Recently I watched the first Halloween movie, built around the perennial return of the repressed. But that movie spawned a whole industry of sequels, as if the viewers became nostalgic for serial killer Michael Myers. And of course Halloween too is fraught with nostalgia in the US, as almost surely it is also in Ireland. Tim Burton did an animated movie in which a Halloween spirit opens a portal into Christmas, presumably juxtaposing horror and nostalgia — although nothing is ever very horrible in Burton’s worlds. I’ve written the ending one way, but I’m in the process of revising in the direction of more ambiguity, which will be achieved by chopping rather than adding. As you’ve noted before, it’s hard to excise bits you’ve written that you’ve grown fond of — it’s like summoning Michael Myers to kill Bing Crosby.
Comment by ktismatics — 10 January 2012 @ 7:14 am
I forgot to mention… You know how I seem to have this psychokinetic ability to extinguish streetlights when I walk past them? Well, one night during Christmastide, after dinner, I was reading a portion of this story to my wife and daughter. In the middle of the reading all of the Christmas tree lights suddenly went out. After some investigation we discovered that our cat had managed to unplug one string of lights from the other, causing them all to go out. He’d never performed this trick before, and didn’t do it again subsequently.
Comment by ktismatics — 12 January 2012 @ 8:08 am
That means you have a Puerto Rican 99 cent store version of The Shining.
Comment by illegal dances of new york city — 12 January 2012 @ 10:58 am
Ouais, c’est ça.
Comment by ktismatics — 12 January 2012 @ 11:46 am